FF Mister K: Franz Kafka’s Pen

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| Ivo Gabrowitsch | November 17, 2008

Since last month – Jürgen already men­tioned this – I can prac­tise my pas­sion for type as mar­ket­ing man­ager of the Font­Font library. It is self-​evident that I will pri­mar­ily deal with new devel­op­ments. How­ever the upcom­ing Font­Font release proves that this does not exclude the pub­li­ca­tion of arti­cles with a his­tor­i­cal back­ground.

The man­u­scripts of author Franz Kafka had such a pro­found impact on Finnish graphic and type designer Julia Sysmäläinen that she decided to con­vert his hand­writ­ing with its unusu­ally strong cal­li­graphic char­ac­ter­is­tics into a dig­i­tal script. The philol­o­gist took on the chal­lenge to trans­form in Kafka’s rather eccen­tric letter forms into an bal­anced typo­graphic flow. This meant not only cre­at­ing hun­dreds of lig­a­tures – each of them con­sist­ing of two, three or even four single char­ac­ters – but also inte­grat­ing numer­ous alter­nate char­ac­ters to avoid suc­ces­sions of repeat­ing shapes, in order to lend FF Mister K Pro a more authen­tic script feel. Fur­ther­more handy Open­Type func­tions were added, for exam­ple for styl­is­tic alter­na­tives includ­ing hatched text as well as under­lin­ing and cross­ing out.

Mister K

Even­tu­ally three com­pletely dif­fer­ent single fonts were devel­oped. Besides the normal cut there’s also Crossout, which allows for set­ting exten­sively crossed out text and Onstage, which clearly looks more extrav­a­gant and wrig­gly. All for­eign lan­guages and fea­tures included the stan­dard cut alone con­tains more than 1,500 glyphs.


Graphic designer Oili Kokko­nen, also orig­i­nat­ing from Fin­land, proves that one can com­pose very witty illus­tra­tions with the FF Mister K Pro char­ac­ters. Pic­tograms for toi­lets, Sahti Insti­tute of Design.

FF Mister K Pro is the only com­pletely new design in the upcom­ing Font­Font release 47, and will soon be avail­able from FontShop (ten­ta­tive release date Decem­ber 1st). Mean­while, to atten­u­ate the wait­ing a down­load­able PDF has been made avail­able to anyone interested.

Update: Dec. 17, 2008 — FF Mister K is now online for sam­pling and down­load. It’s avail­able in either a Stan­dard Open­Type or a Pro ver­sion with addi­tional lan­guage sup­port. FontShop.com’s advanced char­ac­ter set viewer reveals all the font’s 1500 glyphs, includ­ing the hun­dreds of lig­a­tures, styl­is­tic alter­nates, under­lines and scribbles.

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8 Comments:

I’m in awe. Looks absolutely stun­ning.

Posted by johno on Nov. 17, 2008

I love it!

Posted by Stockton on Nov. 19, 2008

his­tor­i­cal preser­va­tion

Posted by n.x. on Nov. 20, 2008

The fonts are now avail­able! See update at end of post.

Posted by Stephen Coles on Dec. 17, 2008

his­tor­i­cal per­ver­sion

Posted by n. i. x. on Mar. 15, 2009

What makes you say that, n.i.x.?

Posted by Yves Peters on Mar. 16, 2009

His­tor­i­cal preser­va­tion / per­ver­sion

Are works of cul­tural value are untouch­ables … do we have to con­sume them in their orig­i­nal form or can we openly use them as a source of inspi­ra­tion and fur­ther devel­op­ment… (sub­con­ciously we are doing it all the time anyway).
In the­ater, we are pretty open for updat­ing his­tor­i­cal pro­duc­tions to get them to relate more strongly to con­tem­po­rary issues.
In type, I noticed that p22 “Cezanne” got me quite inter­ested in the artist’ s per­son­al­ity … the type­face expresses a lot of it and seems to bring him back to life.
With FF Mister K … you start to ask not only about Kafka but also about this Mister “K”, a cen­tral figure of the novels “The Castle” and “The Trial”. The Font­feed and the Font­blog have given a lot of good back­ground info about this …and in this way did his­tor­i­cal preser­va­tion.

Posted by jurgen sanides on Mar. 18, 2009

Preser­va­tion or per­ver­sion - I don’t care. But what are these amus­ing pik­tograms shown in Wikipedia? Do they belong to the font - I couldn’t find them at FontShop.

Posted by Gisela Hartmann on Apr. 28, 2009

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