webfonts
Azuro – A New Typeface For Reading On Screens
Azuro is a four-weight sans serif typeface designed by Georg Seifert specifically designed for on-screen writing and reading.
Read moreBrand New Web Typography Conference in Brighton, UK
Ampersand is an affordable one-day event for knowledgeable web designers & type enthusiasts, held in Brighton, UK, on June 17, 2011.
Read moreFifty2|3|4: FontFont Release Magazine No. 3
The third FontFont release magazine features samples of brand new and relaunched typefaces, as well as information on web fonts.
Read more1 Year of Web FontFonts: Exclusive FontFont For Free
To celebrate the first anniversary of its webfont collection, FonFont offers the exclusive FF World Wide Web for free.
Read moreTim Brown on More Perfect Typography
More Perfect Typography is an inspiring presentation by Tim Brown, Type Manager for Typekit, at the latest Build conference.
Read moreSome Thoughts On Web Fonts by Yves Peters
I share my thoughts on web fonts in this second interview conducted by Vivien Anayian for Smashing Book 2.
Read moreSome Thoughts On Web Fonts by Stephen Coles
Stephen Coles shares his thoughts on web fonts in this interview conducted by Vivien Anayian for Smashing Book 2.
Read moreSmashing Book 2 Rings In The New Year
Smashing Book 2 is a printed book covering best practices in Web design and Web development.
Read moreThe FontFeed is a daily dispatch of recommended fonts, typography techniques, and inspirational examples of digital type at work in the real world. Eat up.
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- FontBook, A New Way Of Looking At Type
- The comprehensive specimens in the FontBook app for iPad offer several layers of information for each featured typeface.…Read more
- FontCast #16 — FontFont Type Department
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- Free Fonts: Technical And Artistic Quality
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The latest in the world of typography, lettering, and type design.
Whether they’re newly released, stalwart classics, or hidden gems, these typefaces deserve special mention.
Improve your typography skills with these basic tips and advanced tutorials.
Specimens are nice, but we love to catch a typeface in the wild, where it can truly show how it performs in the real world.