Pentawards 2008 | The Crème de La Crème of Packaging Design

  • Fonts in Use
Fonts in Use
| Jürgen Siebert | November 5, 2008

Pentawards is the first and only world­wide com­pe­ti­tion exclu­sively devoted to pack­ag­ing design in all its forms. Last week­end the 2008 win­ners were announced at the Luxe Pack trade fair in Monaco. The respected pack­ag­ing blog The Dieline has the exclu­sive right to present the win­ners in detail – with a couple of mar­vel­lous typo­graphic solu­tions amongst them. Time Man­ager General’s Warn­ing – you won’t be done in under 20 minutes.


Frank Heine’s won­der­ful Dal­liance in all its glory.

Silver Pentaward 2008 | Bev­er­ages | WinesKmetija Stekar - Autho­r­ial wines | Tomaz Plahuta, Slove­nia

Silver Pentaward 2008 | Food | Distributors/retailers own brandsWait­rose - Honey Bee: ‘good’ tier honey pack­ag­ing | Turner Duck­worth, UK

Silver Pentaward 2008 | Luxury Sub | 
Fine wines & cham­pagnesIncanto | 
Bruketa&Zinic OM, Croatia

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5 Comments:

I love the Honey logo!

Posted by Piotr on Nov. 12, 2008

Don’t we all? It’s a rare mar­riage of great con­cept and flaw­less exe­cu­tion. :)

Posted by Yves Peters on Nov. 12, 2008

I don’t love the honey logo. I think it’s a flawed
con­trivance. It could have worked if the wings and pro­por­tions were the same as a honey bee.
Top Tip: research pays.

Posted by Jon on Feb. 6, 2009

I like the logo. Really nice idea. In my opin­ion the “tra­di­tion” factor is miss­ing. The only thing giving us con­fi­d­ance is the pack­age mate­r­ial and format. I miss the uncoated paper. But maybe we could solve this using a italic serif on the “pure set” text for exam­ple.

Posted by Nuno on Feb. 9, 2009

It looks like the tra­di­tion factor has been delib­er­ately avoided. I think it appears false on mass pro­duced super­mar­ket goods anyway. The con­sumer con­fi­dence comes from the design’s con­fi­dent modern min­i­mal­ism and its refusal to com­pro­mise with tra­di­tional styling. And don’t forget that the supermarket’s qual­ity brand rep­u­ta­tion also gives con­sumer con­fi­dence.

I do believe the exe­cu­tion is par­tially flawed though. It feels cramped between the wings and the type. Google image honey bee and you will see how much of better fit using a real honey bee’s wing shape would be. The only point in abstract­ing a form is if it improves the design, which in this case I don’t think it does.

Posted by Jon on Feb. 9, 2009

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