Extra Light, Ultra Thin Fonts: Hairline Type Lends Elegance to the Page

  • Handpicked Typefaces
Handpicked Typefaces
| Stephen Coles | August 27, 2007

FF Meta Light with PMN Cae­cilia in Real Simple magazine.

Just as there is often a need for extra heavy type, the del­i­cate stuff on the light end of the spec­trum has its place as well. Here, we gather the type­faces in FontShop’s cat­a­log with the thinnest of weights. See the Fine Lines newslet­ter for a closer look at some of our favorites.

FF Meta Hairline

Extra Light Sans Serifs

Sans serif fam­i­lies some­times include a “Hair­line” or “Thin” font meant for large sizes. The fol­low­ing are those sans type­faces with a weight thin­ner than “Light”.

Bodoni Egyptian Thin

Extra Light Slab Serifs

Ultra thin head­line and nov­elty typefaces.

FF QType Extra Light
Missionary

Extra Light Display Faces

Ultra thin head­line and nov­elty typefaces.

Novia

Extra Light Scripts

Ultra thin script typefaces.

UPDATE

Novia

Extra Light Serifs

There aren’t many book serifs that are as ultra light over­all as those in the slab and sans cat­e­gories. Dis­play ver­sions of text serifs are gen­er­ally high con­trast, so there is usu­ally a mid-to-heavy part of the stroke. Nev­er­the­less, it can be useful to have a list of serif fonts that are very light in color.

Update May 2, 2008 — Sev­eral new fonts added.

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3 Comments:

Hey, nice list, but you’re miss­ing Stag Thin by Chris­t­ian Schwartz. It’s a really inter­est­ing slab. Plus Stag Sans Thin is a really nice sans. Cheers.

Posted by Simon Robertson on Sep. 13, 2008

Ultra fine types may lend ele­gance but accord­ing to every study known to man, the sans serif ones test very poorly in the com­pre­hen­sion arena. While as a designer i appre­ci­ate the con­cept of set­ting the stage and design­ing with ele­gance, as a writer i am always look­ing for ways to make the copy i write as easy to read as pos­si­ble. I would never rec­om­mend any light font as body copy unless it was going to be at least 12 or 13 point and a serif with alter­nat­ing thick­ness. That said, for a BIG head­line and in black (not a color) they are not as dan­ger­ous. These days, if some­one doesn’t read our mes­sage, they don’t respond. If they don’t respond, they don’t buy. and then we’re out of work. So I want people to read and com­pre­hend my mes­sages, and buy my clients’ prod­ucts.

Posted by Carol Worthington-Levy on May. 8, 2009

You are absolutely right. The type­faces in this list are meant for headline/display use only, in big sizes. I would never dream set­ting any of those at 12 or 13 point.

Posted by Yves Peters on May. 8, 2009

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