Fonts in Use » ScreenFonts
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My Type of Music
Sometimes you can judge a book by its cover and a band by its album art.
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ScreenFonts
A typographic look at today’s movie posters and film titles. (a.k.a. Characters on The Silver Screen)
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Lovely Lettering
Typography is made with type, but some of the best letters are made one at a time, by hand.
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Oops!
A light-hearted repository of amusing typos and typographic mishaps.
ScreenFonts: Brothers, Up In The Air, Invictus, The Lovely Bones, Avatar, Sherlock Holmes
For this instalment of ScreenFonts I am about to do something I haven’t done before – I want to reprise the last poster of the previous episode. There’s two reasons for this. The first one is the fact that I actually glossed it over rather hastily. As I explained in my reaction to a comment […]
Read moreScreenFonts: Precious, Pirate Radio, The Messenger, Women In Trouble, The Road
Our monthly review of movie poster typography.
Read moreThree-Dimensional Type Spells Out The Rules In Zombieland
The zom-com Zombieland features beautifully integrated typography in the opening credit sequence and throughout the movie.
Read moreHow We Built Britain… With Arial!?
The opening sequence for “How We Built Britain”, the landmark BBC One show that aired over June and July 2007, features virtual letter-shaped buildings.
Read moreScreenFonts: Zombieland, Where The Wild Things Are, Law-Abiding Citizen, The Vampire’s Assistant, This Is It
Our monthly review of movie poster typography.
Read moreTom Waits Lyrics On Human Canvas
In the music video for the Tom Waits song Come On Up to the House the lyrics for the song are written on a human body.
Read moreThe Twenty Tweetable Truths About Magazines In Animated Type
A motion graphics video with animated typography spells out twenty myth-busting facts that showcase magazine vitality, tweetable in 140 characters or less.
Read moreHitler Subtitler Gets A Cheap Font CD
In this spoof version of the climactic scene of Downfall (Der Untergang) Hitler’s subtitler gets a cheap font CD off eBay, and that’s where the fun starts.
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Specimens are nice, but we love to catch a typeface in the wild, where it can truly show how it performs in the real world.
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